Why AI generation might be just what music needs

However, unlike in the current unregulated system, this tool will pay copyright owners their share. The conversations are at quite an early stage, so any kind of launch is yet to be determined. The Recording Academy isn’t issuing a total ban over content created by generative AI services, though. As anticipated, genrative ai even when discussing AI creations, it is necessary to refer to copyright law. However, a distinction must be made between (i) musical pieces obtained by artificial intelligence with human assistance and (ii) pieces generated autonomously by AI which might be the actual author of the music.

He is also a professional composer, published by Boosey & Hawkes, which gives him a unique perspective on the impact AI will have – and is already having – on the creative industries. He was a co-organiser and judge of the first international AI Song Contest, and is a mentor on the startup programme at Abbey Road Studios in London. But if an agreement can be struck then it would allow genrative ai royalties to be paid to record labels, meaning the music industry would not miss out on significant profits if the niche market does take off. Drake responded that one AI-generated song featuring his voice was the ‘final straw’. However, the aim is to come to an agreement whereby more software can be developed that allows fans to create songs and pay the owners of the copyright.

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The review was commissioned by the Chancellor of the Exchequer as part of the Autumn Statement 2022, to assess how the UK could improve the regulatory environment for emerging technologies[5]. A key recommendation of Sir Vallance’s review is that the UK government needs to adopt a clear policy position on IP law in a generative AI context, giving AI firms, rightsholders, and the wider market confidence and certainty. If this interest in vocal AI was driven by artists – by singers – then I would be interested in it. Similarly, if it made big Gary from the drycleaners sound like Chaka Khan on karaoke night, it could be a fun thing.

Principle #1 references how in 2023 alone the site has already racked up 1.7 billion views of videos related to AI tools alone while referencing the history of music on the platform and partnering with it to further drive creativity on the site. All the latest news and updates on the rapidly evolving field of Generative AI space. From cutting-edge research and developments in LLMs, text-to-image generators, to real-world applications, and the impact of generative AI on various industries. Other significant updates contained in the 66th Grammy Awards rulebook include a new requirement to get a nomination, namely for the percentage of an album which authors have to contribute to. If producers, songwriters, engineers or other artists don’t contribute to at least 20% of an album, they won’t be able to earn a nomination.

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Use of AI needs to be legislated so that issues of copyright infringement can be filed and completed. The worry is that those inexperienced in musicality are asking the AI to create a track ‘like’ or ‘close to’ their reference, without the experience to musically question the AI result. AI music generation is a technology that utilizes artificial intelligence algorithms to convert textual prompts into songs and soundtracks. It allows for automated text to song creation, eliminating the need for manual production and licensing, which might not be a high-priority for most content creators. In April, an AI-generated song featuring the simulated voices of Drake and The Weeknd was pulled from streaming services by Universal Music Group for ‘infringing content created with generative AI’. We’ve already witnessed the power of artificially generated music through viral Drake tracks and even the likes of Grimes urging fans to clone her voice for their own songs.

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The songs were removed because of alleged “artificial streaming”, a practice where bots pose as human listeners and inflate streaming numbers, thereby generating greater revenue for the relevant rightsholder(s). In fact, the US Copyright Office has recently issued guidance clarifying that a piece of art (including a musical composition) is not copyrightable when generated via a user prompt. This would appear to limit the commercial viability of music created solely via AI technologies, such as those mentioned in this article, while offering some protection for artists who simply use AI elements to augment their own creativity.

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Of all the ways in which generative AI has hit the headlines in recent weeks, the growth of AI-generated music has created some of the greatest public astonishment. Inside the music industry, that astonishment is coupled with existential concerns for the future of the industry. Oliver Lock, Owen O’Rorke, and Ethan Ezra Howard at the law firm Farrer & Co have kindly provided Omdia with their thoughts on the legal considerations that are set to unfold in the next few years.

UMG declined to comment to Esquire when asked whether they specifically asked for the track to be removed from the streamers. Ghostwriter, meanwhile, is sidestepping all of this and still currently sending out the original track through the drop platform, Laylo. If you thought that Pope-in-a-puffer pic was a head-spinning watershed moment for AI, it’s nothing compared to what’s currently happening in the musical genrative ai side of the emerging (and terrifying) technology. The UK action for passing off has been used to prevent false celebrity endorsements (Irvine v TalkSport), and it may be sufficiently flexible to take action against deepfake versions of artists’ voices in many cases. The UK Intellectual Property Office (IPO) ran a public consultation on Artificial Intelligence and IP from October 2021 to January 2022.

Despite the popularity of AI-generated songs like “Heart on my Sleeve,” consumer buy-in for this application area is quite low. More than half (53%) of consumers actually oppose the use of AI-generation tools in music production, with 29% stating they “strongly oppose it.” On the opposite end, only about 10% support it. While consumers may find this new music content catchy, they don’t equate it with human talent and aren’t fully convinced that it’s an optimal future path for music production. One of the most famous deep fake AI-generated songs is “Heart on my sleeve,” a song that used AI-generated vocals that imitated Drake and The Weeknd. The track was later pulled from streaming platforms for copyright infringement.

• A YouTube user named PluggingAI also promotes songs imitating the voices of dead rappers Notorious B.I.G. and Tupac.
• This algorithm can also generate music with “complex composition,” having been trained with data from more than 280,000 hours of music.
• The scope of statutory exceptions from liability from copyright infringement for TDM varies markedly between territories.
• The generations produced by Clara were interesting in many ways, and I was able to analyse them to identify shared qualities, which I expanded upon by composing many more “generations” of my own.

In this hub, the AI-generated music will be of many different genres and will feature virtual artists from the WarpSound roster such as Nayomi, Gnar Heart, DJ Dragoon, and GLiTCH. WarpSound has established itself as a top name in music NFTs, hitting the top of the OpenSea table. The Heart on My Sleeve controversy has left the music industry floundering. When the TikTok account Ghostwriter977 first uploaded the track, it quickly racked up hundreds of thousands of streams across Spotify, TikTok and YouTube. Just a few days later on Monday, April 17, the track was suddenly pulled from sites including Apple Music, Deezer and TIDAL.